I’ve always been fond of felines, whatever their size and, until I was actually in a position to keep a domestic cat as a pet, I had an extensive collection of tigers.
There were book marks, tea cards, themed birthday cards and calendars, soft toys of all sizes, an Esso tiger-in-your-tank key ring from the 70s, a Russian porcelain figurine, tiger’s eye quartz jewellery…
Some were given away, broken, lost or abandoned. Others must be in a box in a lock up in Spain with so many of my other possessions. A few survive: I’m sure there’s a supermarket trolley token with a cartoon tiger’s head in the bottom of one of my handbags and a Schleich white tiger called Frankie continues to accompany me whenever I travel away from home. Continue reading “cat litter”
Open mike nights are a chance to discover the words of other poets, writers and musicians and I usually sit with notebook and pen ready to jot down the ideas and phrases that appeal most, that capture my imagination or that challenge me to think more.
Last night I was a reader at a fund-raising event where the theme was homelessness. One of the phrases I wrote down was from local poet John Turner: “How to compare spring flower to crack den?” It’s a question that challenged me as it relates to why I wimped out of writing new and socially relevant poems for the event, instead reaching into my files, which overflow with spring flowers and poetry of place, to create a set based around the ideas of home, belonging and alienation. Continue reading “of words and wild swans”
Yesterday, I went to a breakfast meeting at Stoneleigh Abbey.We ate in the saloon, whose ceiling features this magnificent plaster relief depicting Hercules being welcomed by the gods after his death:I visited the Abbey a couple of years ago and went on a tour of the house; sadly, the photos I took then are currently on a computer that won’t boot, so I only have a couple of pictures I took on my phone as discreetly as possible during the meeting. Continue reading “poetry & plasterwork”
When I told a friend that I’d been looking through old poems trying to find one to send to a competition with the theme darkness, he laughed and said I should find that easy: after all, I write lots of dark poems.
In fact he was wrong. The subject matter isn’t always the most cheerful, but I do tend to find a bright twist to things. Like the owl in the photo – the Midnight Moths owl from Birmingham’s Big Hoot Art Trail – I can’t help but see the stars.
Coincidentally, yesterday I came across the word eigengrau: the colour that we see when there is zero light.
It seems that even in perfect darkness we don’t actually see black: our optic nerves make us see a dark grey instead. Perhaps we should re-name them optimistic nerves. Perhaps I should write a poem about that.