I said yesterday, not for the first time, that I’m not writing as much as I used to. I still jot down notes on scraps of paper or in notebooks, but I don’t seem to sit over them and nag at them like I did.
I used to find train and bus journeys a perfect opportunity to stare out of the window for inspiration, to worry at words, sketching out alternatives, scratching out false starts, mentally running through phonemes trying to find a rhyme or a word or phrase with just the right shape and sound. Continue reading “too much information”
As a woman whose business falls broadly within the technology sector, I’ve been involved in a number of conversations recently that talk about “women in tech” as if there were a clear dichotomy between arts and science.
There are lots of stories on the web about automated translation, computer-generated writing, etc. but I for one am sure it will be a while yet before artificial intelligence is honed sufficiently to be able to do some of the things humans do without a second thought.
This week, people were talking about Microsoft’s CaptionBot – software that identifies the contents of an image and adds a caption. You are asked to give a star rating to the answer, presumably so the algorithm can improve over time.
I’m not sure that even a single star is warranted for the description of this photo of the statue of Hamlet in Stratford-upon-Avon.
Whether the wind was southerly or north-north-west, it seems CaptionBot can’t tell Hamlet from Hannibal; I wonder how it would do with a hawk or a handsaw.
P.S. Just a reminder that my poetry collection Around the Corner from Hope Street is free to download from Amazon until tomorrow. See last Sunday’s DCTN post for more details and please consider leaving a review if you like the book.
When I told a friend that I’d been looking through old poems trying to find one to send to a competition with the theme darkness, he laughed and said I should find that easy: after all, I write lots of dark poems.
In fact he was wrong. The subject matter isn’t always the most cheerful, but I do tend to find a bright twist to things. Like the owl in the photo – the Midnight Moths owl from Birmingham’s Big Hoot Art Trail – I can’t help but see the stars.
Coincidentally, yesterday I came across the word eigengrau: the colour that we see when there is zero light.
It seems that even in perfect darkness we don’t actually see black: our optic nerves make us see a dark grey instead. Perhaps we should re-name them optimistic nerves. Perhaps I should write a poem about that.
Actually, not fear of losing it so much as fear of losing them. Some ten years of digital photos (plus assorted translations, stories, poems, and other memories) stored on an external hard drive which is currently refusing to boot.
There comes a point, of course, where you have to admit that the past does disappear and this is just something you have to deal with.
I am currently taking comfort in the idea that “Nothing is lost for ever […] except for the Cathedral of Chalesm”, coupled with the fact that the little blue light still comes on when I connect the disk, so perhaps it is not altogether dead.
Some more recent photos, including this one, have not been lost: