words that bind

Last week I helped an elderly friend to clear off some of her bookshelves. There were old library catalogues, and photocopies from way back which she used when she was writing her thesis; pamphlets, booklets, transcripts of lectures, undergraduate essays…

As I watched her tackle the piles of papers, condemning at least 80% of it to the recycling bag, I thought about how bad I am at throwing out words, and decided it’s because words bind in a number of different ways.
Continue reading “words that bind”

the narrator in poetry II

As I said before, one problem when you write first person poetry is that people tend to think of it being personal.

I suppose it is for some writers. Certainly one friend told me that he was the narrator in all his poems, and that all his poetry was based on personal experience. He has several collections to his name and we aren’t talking about adolescent angst or “diary entry” poems, so it’s a technique that clearly works for him.

Of course, one of the first things that we are told to do to make our writing realistic is “write about what you know.” Continue reading “the narrator in poetry II”

hai’ku

morning moon
morning moon

 
 
 
 
Winding road; the moon
plays peek-a-boo
behind the mountains

hai’ku

Bedraggled autumn afternoon;
a thousand robin’s eyes watch
from the elder tree.

 

No, not elderberries, but the visual effect is similar
No, not elderberries, but the visual effect is similar

the narrator in poetry I

As may be apparent from the blog title – and even moreso if you have read the about this blog page – the subject of the narrator is one I feel quite strongly about.

I write a lot of first person poetry and creative non-fiction. I also believe that real life can provide raw material for my writing.

However, despite what many people think, this doesn’t mean that I write about my life.
Continue reading “the narrator in poetry I”