the words we use

They say that language shapes our view of the world: if we use sexist and bigoted language, it is difficult to avoid becoming sexist bigots and if we don’t have the words for a concept, we find it hard to understand.

Certainly my own experience of learning a second language revealed a different personality: I was free to say things I could never have said in my native English because the words and the grammar permitted it and because I came fresh to the new language with the opinions and ideas of an adult but with no personal attachment or aversion to the words.
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fantastical flora & fauna

For some reason, I’ve been thinking about fairy tales.

I’ve already mentioned that the tree lupin buds made me think of alien claws, but I’m pretty sure the plant is terrestrial, so perhaps it’s more like the talon of a mythical bird.

Lupins weren’t the only flowers I found in my mother’s garden last week that transported me into the world of the imagination.
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a sense of scale

There are things that we see and hear that are forgotten in a moment, and other things that stay with us for many, many years.

The things that stick with us can come from any number of different sources and, while some may be profoundly important and shape the way we see life from that moment onwards, others are as trivial as a phrase that continues to echo in memory or a scene from a TV programme that has no relevance to anything at all.
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tangentially topical

The new General Data Protection Regulation came into force in the EU yesterday and the topic of security – albeit cyber security – has been in most people’s minds, which makes the photo at least slightly apposite.

The poem – written in Spain seven or eight years ago – is a repost, but it’s the best fit for the photograph – taken recently in England:

Camaraderie

In the greystone shadow
of the old jail, three men share
smokes and anecdotes. Two
wear drab and polished black,
the third raises his cigarette
between cupped hands.
Metal glints at his wrists.

a little background

Years ago, I belonged to a mixed-genre writing group. I was one of the few members who primarily wrote poetry, so I was delighted when another poet – Don, an American university professor – settled in the city for a few months and started to attend meetings with his wife. (I can’t remember what she wrote; it may have been academic writing rather than creative.)

I’ve often thought that poets get short-changed at writing groups as they are expected to give feedback on all the other members’ work in a range of genres, but frequently get no useful comments about their poems.
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