Saki – don't confuse the narrator

on the edge of memory

A few days ago, I read a poem by a friend which reminded me of a short story. Sadly, I can’t remember who wrote it: it might have been Saki; perhaps it was Wilde; there’s a very slight chance it was Lovecraft. (I’m fairly sure it was unlike most of the other stories I know by the same author.)

I’m a long way from my own bookshelves, so after racking my brains unsuccessfully, I have had to resort to trying to find the story via the web.

I think the scene was a domestic drawing-room as the afternoon slips towards dusk.

I half remember beautiful scenery, or it might have been the view of a garden through French windows; it could even have been potted plants, I suppose, though I think they would have been perfumed, not simply aspidistras.

There was music; probably celestial, though it might have been a piano. There was a dreamer and a dream, perhaps of classical gods; a promise of immortality, or of life in a different dimension…
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the root of the problem

As I mentioned in seeing for yourself, I’m dipping into the works of Saki each time I take a coffee break.

This morning I chanced on the story Reginald’s Rubaiyat, which begins:
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seeing for yourself

As I’ve said before on the blog (of pigs and poetry), I’ve had in mind for years now to write a poem about la matanza, but have never actually witnessed a pig slaughter. I’d just about psyched myself up to do so this year, but when the time came, the neighbour and his helpers only hobbled the pigs with ropes and then drove them away squealing.

Even this tile – given me recently by a fellow poet who hoped, I think, that it would inspire me to finish the piece I took in to the writers’ group for commentary back in December – isn’t a lot of help as it doesn’t seem to show the actual killing.

I was reminded of the fact I was prepared to witness a slaughter in order to be able to write about it when I was reading during my coffee break this morning.
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