me, myself and I

Following on from the post I made earlier about first person dreams and narrators in poetry, I just came across an article in the Guardian with the headline: Christopher Walken: ‘No matter who I play, it’s me’.

Apparently, this was his reaction when asked if he’s playing slight variations on himself every time he makes a film:

“In one way, yes. No matter what character I’m playing, it’s me. I’m the only person in my life that I can refer to. I have a wife, I have friends, but it’s essentially me. There are actors who can transform themselves, famously so, but I’m not one of them. There’s a crucial difference between an actor and a performer. I’m essentially a performer. That’s where I came from. That’s what I know. That’s what I do.”

I’m not 100% sure how that ties in with the points I was making, but I do think it must be relevant.

first person dreaming

Cat apocalypse collage
This morning I woke with a scene from a dream still vivid in my mind: in some kind of apocalyptic sci-fi/thriller setting, with explosions and dangerous pursuers (yes, I watch too much TV) I’d managed to do some neat programming trick and someone had asked me, “How did you know that? Were you brought up with technology?”

In response, I’d launched into a description of when and where I had learned about computers etc.
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shooting stars II

Yesterday‘s narrator had all she wished for, which might be why the poem was so short. Today’s narrator doesn’t, though she seems to have realised that wishing on a star won’t help:

Perseids

The night I met you fire flared in the skies
and seams of gold were visible across
the coalmine dark. Nature had purged the dross
of normal life, it seemed. We raised our eyes
to watch with joy as stars fell round about:
each one a dream of summer love, a wish,
each an unspoken promise, each a kiss
that fanned desire and silenced truth and doubt.
And so we boldly told each other lies,
pretending to believe they could come true;
we watched those stars like lovers, though we knew
that we could not escape existing ties.
At heart, we knew the stars are fixed, not free,
set in their courses, much like you and me.

a bee in her pocket

Last time I found a carpenter bee in my pocket, it was alive – at least until I stuck my hand in to find out what was in there and it stung me.

dead bee and bunch of keys

Today, though, the poor thing was already dead when I reached in thinking I must have left a tissue in my pocket when my jeans went in the wash.

I suppose if didn’t put my clothes on straight from the washing line, both of them might have lived, but who irons jeans?

The photo is only intended to give an idea of the size of the creature, and explain why, even desiccated in death, its bulk could be mistaken for a paper hanky. I put the keys there to give an idea of scale, and then remembered this old poem:
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the name game

Yesterday I was working on a poem inspired by something I was told ages ago, which had re-surfaced in a conversation earlier in the week.

So far all I have is this:

Vanessa says,

I’ve heard tectonic plates move
at the same speed fingernails grow.

A flourish of bright acrylic tips
adds emphasis, and then: I like to think
it indicates a kind of synchronicity –
shows we’re in touch with Nature.

Although it hasn’t got to where I want it to be – which would be at least three times as long and with something actually happening in there – I was wondering what to call it. (In my own filing system it’s down as ‘tectonic nails’, but although that may help me keep track of it, I don’t think it will do for a title.)
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