light moments

white lilac
Morning lilacs loom
as bright as lightbulbs.
ivy leaves
Evening ivy drips
with sunlight

wild lupins
A lupin wildfire ravages the neighbour's field

there’s a bug

yellow wild flower and bug
When I walked across the neighbour’s field the other day, it was almost waist-deep in spring flowers: poppies, wild lupins, hawkweed, oxeye daisies, little purple vetches… The brightest of all were these golden blooms which were glorious from a distance, but not so nice up close as nearly every one harboured some kind of bug-eyed monster.

(Incidentally, I’m beginning to think I should change the blog tag-line to “Mostly first person poetry, prose, pedantry and plant pictures.”)

writing it slow

blackthorn blossom
Years ago, I wrote a long and rambling free verse poem that started “My mother makes sloe gin”. It was a runner up in a poetry competition, but despite the minor success, I was aware that it was rather flabby; I think I’ve been trying to force it into some kind of form for near on a decade.

That said, I had completely forgotten this version, which I think must have been written some time last year for a sonnet competition and abandoned when it wouldn’t conform to the formal constraints. Since the sloe trees are in full bloom this weekend, it seems a good time to post it:
Continue reading “writing it slow”

verses and versions

yellow crocuses

Over the last couple of weeks I’ve been re-visiting some old poems and re-drafting, revising and re-writing.

Some of the changes are substantial – whole stanzas, refurbished, renovated, knocked in together or removed completely. With changes like this it’s usually clear whether the result is an improvement.

Other changes, though, are less clear cut. I feel like Oscar Wilde when he said he’d been hard at work all day on a poem: “This morning I took out a comma and this afternoon I put it back in again.”

I know that every little detail of a poem is important, but sometimes I feel that recognising the exact best version is like trying to find the prettiest flower in a patch like the one in the picture.

narcissus

This picture was irresistible as it seems clear that each narciso (as they are called in Spanish) is enamoured of its own reflection.

Daffodils in a flooded flower bed

Looking for an apt poetical quotation, I find that Sir Aubrey de Vere described the daffodil as “Love-star of the unbeloved March”.

Well, it’s certainly March, and the weather here is undoubtedly unlovely. (That flower bed is at least two inches deep in water at the moment, and it’s at the top of the garden; I dare not venture down to see if the trees in the orchard are knee deep, but I suspect they must be.)